Trisha Brown Dance Company
Opal Loop/Cloud Installation #72503; Son of Gone Fishin’; Solo Olos; Rogues
Apr 8 - 12 at 7:30pm, Apr 13 at 3pm
The April 10 performance will be live streamed in collaboration with live streaming startup
The eagerly anticipated reconstruction of Son of Gone Fishin’ (1981), Brown’s first musical collaboration, features original music from Robert Ashley’s, Atalanta. According to Brown, Son of Gone Fishin’ reaches the “apogee of complexity in [her] work.” This diabolically complex choreographic structure is belied by the constant ebb and flow of six dancers accompanied by musical arrangements from orchestral parts of three operas in Ashley’s Atalanta. The performances at Live Arts will debut newly created costumes by original costume designer Judith Shea, inspired by her archival design notes. Archival notes from the original collaboration, featuring a set by Donald Judd, will also be presented online.

Also newly reconstructed, Solo Olos (1976) is a section of Brown’s Line Up, a series of dances created at a point in Brown’s choreographic career when she was exploring a concept she called “Pure Movement,” which denotes movement free of other connotations. Epitomizing the rigor and play in Brown’s work, Solo Olos utilizes a brilliant network of interconnected phrases danced both forwards and backwards. As a “Caller” gives directions to the performers, an impromptu composition is revealed. As described by Deborah Jowitt in The Village Voice, Solo Olos is as beautiful and subtly shaped as water rippling over stones. Like the title, the movements flow along, pause, and then reverse.”

Rogues (2011) was recently described as “[s]implest and best…[a]s they tipped, stepped, rotated and twisted, their dancing celebrated life rather than artifice” by Alastair Macaulay in The New York Times following its premiere at the Fall for Dance Festival. This duet for two men explores unison movement and aberration. With original music by Alvin Curran, costumes by Kay Voyce and lights by John Torres, Rogues  “enthrallingly display[s] how an impulse that begins in a shift of the torso or a lift of the arm can create a momentum that the body, effortlessly it seems, converts into a phrase of shape and texture” (The New York Times).

Opal Loop/Cloud Installation #72503 (1980) is Brown’s “breathtaking” (The New York Times) collaboration with Japanese fog artist Fujiko Nakaya. This mysterious piece that flirts with perception and illusion features four dancers moving through Nakaya’s fog “cloud sculpture,” which creates sound as water passes through high-pressure nozzles. The movement reflects the delicate balance of the air surrounding the dancers, both constantly changing form and drifting off. Part of Brown’s “Unstable Molecular Structure” cycle, Opal Loop/Cloud Installation #72503 features costumes by Judith Shea and lights by Beverly Emmons. 

View the Archival Tumblr

Apr 7 at 4pm Tech Talk: Tech Talk: Behind the Scenes of Opal Loop/Cloud Installation #72503 in the Live Arts Theater, followed by a Q&A in the lobby

Apr 10 at 6:30pm Come Early Conversation: Diane Madden (Associate Artistic Director, TBDC) in dialogue with costume designer Judith Shea

Apr 11 Stay Late Discussion: TBDC dancers in conversation with Associate Artistic Directors, Diane Madden and Carolyn Lucas, moderated by Lee Serle

April 8 – 13 Archival Film and Installation: Film and materials from the Trisha Brown Dance Company Archive will be on view throughout the Live Arts Lobby

Please join us on April 12 from 1 - 4pm for Shared Practice with Trisha Brown Dance Company. For more information click here.



About the Artist


MAY 2016
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