The second installment of New York Live Arts’ conversation series Open Spectrum Critical Dialogues, “Creative Resistance: A Rising Economic Movement,” focused on a critique of capitalism that both acknowledged its undeniable centrality yet pushed for the seemingly untenable: its downfall. Panelists Piper Anderson, Okwui Okpokwasili, Laura Flanders, Joan Morgan, Seyi Adebanjoand audience members collectively considered entry points for anti-capitalist resistance, both habitual and revolutionary. From the practice of cooperative economy to that of radical self love, these offerings of instigation constructed a glimpse of life after capitalism that made one thing clear: something’s gotta give, and cultural workers are at the helm of envisioning an alternative way of being for all of us.
Cosmically Happy Accidents, Incarnations:
In Process with Rashaun Mitchell’s Light Years
by Jess Barbagallo
On a rainy Wednesday afternoon, I enter the theater at New York Live Arts where Rashaun Mitchell and Co. is preparing his latest work, Light Years. Lighting designer Davison Scandrett is playing with a circular pool of light center stage, tweaking its colors and testing them against a hazer–director and designer agree the haze is too distracting, drawing unnecessary attention to the shapes of the purple, green, and pink shafts that compose the watery mass of light, and the instruments in the air. Rashaun wants to make you feel like you’re not even in a theater. So, there’s that challenge. Now it’ll just take thirty minutes for the haze to clear. (more…)
This is the first in a new series of monthly blog posts–penned by Bill T. Jones– designed to provide further insight into his creative process, inspirations and more.
At the invitation of Gotham Opera’s Artistic Director and Conductor, Neal Goren, Bjorn and I attended that company’s gala performance of a new work, The Tempest Songbook, at the Metropolitan Museum’s Grace Rainey Rogers Auditorium.
Artist as Activist: Futuring the Face of Protest
By Ali Rosa-Salas
Six months after the murder of Mike Brown, “Black Lives Matter” has been a national rallying cry against state sanctioned violence in the US and beyond. In a kind of collaborative choreography, thousands commanded public space by stopping traffic, lying in the streets and chanting in affirmation of black and brown lives. (more…)
Fresh Tracks is celebrating its 50th birthday this year. Like anything (or anyone) five decades old, it’s gone through its share of transitions and name changes. The program, created to support the work of emerging choreographers, dates from the very beginning of Dance Theater Workshop (DTW), which was formed in 1965 by a collective of young choreographers and dancers. That same year, they began holding a series of informal performances at co-founder Jeff Duncan’s loft on 215 West 20th Street. (more…)
First Impressions and Enthusiasms: A Compendium to Fresh Tracks 2014-15 by Jess Barbagallo
An artist’s digital ephemera makes a curious body to sift. We (sort of) thrive in an age where documentation of live performance and in-process experimentation is readily available – awesome, but by no means all-encompassing. In the following notes, I attempt slightly expanded readings of micro-moments in a range of past movement scores generated by this year’s 2014-15 Fresh Tracks Artists. By responding to the sensuous possibilities of pre-branded process-oriented work, I hope to maintain my wonder for dance and encourage a model of playful association in others.(more…)
One thing you can say for certain about Taylor Mac: he doesn’t think small. His breakthrough marathon was the five-hour The Lily’s Revenge. His work-in-progress A 24-Decade History of Popular Music, six hours of which are being presented at New York Live Arts as part of a first-time-ever marathon show, will, when completed, traverse American history, from the Declaration of Independence to 2016 in a 24-hour extravaganza of song, history, costumes, and commentary. (more…)
The Meaning of “Meaning”: Neil Greenberg
by Paul David Young
When I met Neil Greenberg in the auditorium of New York Live Arts, he was munching on a salad. Barefoot and in track pants, he was from the start quite affable and welcomed my presence at his first time to try out This in the space in which it would be performed. He had unexpectedly been given an early opportunity to explore the piece in the theater at Live Arts for one day and generously invited me to join them. (more…)
The Live Arts Blog has the latest information on New York Live Arts events, artists and issues affecting the body based performing arts field. Current contributors include New York Live Arts Staff, Jess Barbagallo and Paul David Young.